Sherrie Levine - 2305 Words

Sherrie Levine From Wikipedia, the free encyclopedia Sherrie Levine (born April 17, 1947 in Hazleton, Pennsylvania, United States) is an American photographer and conceptual artist. Contents [hide] * 1 Education * 2 Style and career * 3 See also * 4 External links | [edit] Education Levine received her B.A. from the University of Wisconsin, Madison in 1969. In 1973, she earned an M.F.A. from the same institution. [edit] Style and career Much of Levines work is in the form of very direct image appropriation. She first gained critical attention for her work in the 1980s, where she was considered part of an emergent group of political, conceptual artists which also included Jenny Holzer, Richard†¦show more content†¦S. R. Interieurs Parisiens: 1-60 After Atget, 1997 Desde sus primeras series en las que refotografià ³ los desnudos de Edward Weston, los paisajes de Eliot Porter y las escenas rurales de Walker Evans, Sherrie Levine ha vuelto con asiduidad a esta tà ©cnica. Esta serie de fotografà ­as recoge un grupo de sesenta imà ¡genes de interiores de casas parisinas, sin personajes, realizadas a lo largo de varias dà ©cadas por Eugà ¨ne Atget (1856-1927), uno de los maestros de la fotografà ­a francesa. Atget fue el creador de uno de los mà ¡s importantes archivos fotogrà ¡ficos que existen sobre la capital francesa. Durante treinta aà ±os su objetivo fue documentar todo lo que de pintoresco o artà ­stico tenà ­an Parà ­s y sus alrededores, llegando a crear un cuerpo de trabajo de casi diez mil fotografà ­as. La eleccià ³n de este artista no es gratuita ya que à ©l fue uno de los primeros en reconocer que la fotografà ­a tenà ­a su propio lenguaje, y que era un medio independiente y autà ³nomo, alejà ¡ndose de los presupuestos pictoralistas de las corrientes finiseculares. Atget murià ³ sin el reconocimiento pà ºblico que merecià ³ en vida, excepto por el que le tributaron las primeras vanguardias que le revistieron de un aura heroica. Fotografià ³ algunas deShow MoreRelatedThe Debate Over Unauthorized Use Of A Persons Art Work1599 Words   |  7 Pagesmade in the early twentieth century, made of newspaper clippings to create forms. Sherrie Levine is one of the most well-known appropriation artists. Her mediums for creating the work ranged from drawing, watercolor, sculpture and term called â€Å"re-photography†, which is loosely defined as taking a photograph of a photograph. She attended the University of Wisconsin and moved to New York City in 1975. Levine most well-known reproductions of images made by famous photographers Walker Evens andRead MoreEssay on art1081 Words   |  5 Pagesbody-derived 1970s imagery of Judy Chicago or Miriam Schapiro as by the full participation in the once mainly male-dominated art world of such varied artists as Jenny Holzer, Cindy Sherman, Barbara Kruger, Jennifer Bartlett, Elizabeth Murray, Judy Pfaff, Sherrie Levine, Barbara Bloom, Katharina Fritsch, and others. Arising from the multimedia experiments of the 1970s, the widespread use of a variety of technology-based media has persisted into the art of the new century. Often included are elements of film,Read More Social Criticism in Laurie Simmons Early Color Interiors2470 Words   |  10 Pagesrepresentation of women in their quickly changing visual culture without limiting the reception of their work by labeling it as feminist. In the mid-1970s and early 80s, a new generation of artists emerged, including Martha Rosler, Cindy Sherman, Sherrie Levine, Barbara Kruger, Jenny Holzer and Laurie Simmons, whose art criticized aesthetic pleasure, as represented by the role that media played in shaping our ideas of gender. This was a position that was mainly influenced by Laura Mulvey’s 1975 essay